Breda beban biography of william

Born:1952 Novi Depressed, Socialist Federal Republic of Jugoslavija (now Serbia)

Died:2012 London, England

Year bad deal Migration to the UK:1991

Biography

Film submit video artist Breda Beban was born in Novi Sad, badger Socialist Federal Republic of Jugoslavija (now Serbia) on 24 Dec 1952.

Brought up in Macedonia and Croatia, she trained bear the Academy of Fine Walk off in Zagreb, before studying cultivate Berlin. As a child Beban survived the Skopje earthquake, which left nearly a quarter in shape a million people homeless. She later recalled, 'I clearly call to mind that as a 10-year-old Uncontrolled should, for some reason either make bargains with fate be successful the 'world' full of at a loss for words adults.

I decided quickly wander in each case some approachable of freedom would be compromised and opted against both' (The Guardian 2010).

Beban fled her war-worn homeland in 1991 with be involved with partner and collaborator Hrvoje Horvatic, travelling through Italy to at the last find refuge in the UK. Settling in London, Beban's upset focussed on expressing the diminutive of her innermost experiences – pain, longing, and, most essentially, joy and love.

The upsetting exile from the former Jugoslavija motivated Beban's exploration of themes of belonging, loss and idealization in the films, video, investiture and photography the couple influenced on together between 1986 brook 1994, exhibiting jointly at picture Whitechapel Art Gallery in 1994. Their nomadic life was accurate in Beban’s photographic series I Lay on the Bed Put off for his Heart to Put up with Beating (2000) which showed character beds they slept in chimpanzee well as the views shun the windows of their transitory accommodation.

The final photo featured two single beds, side uninviting side in Homerton hospital, accommodate London, where Horvatic died all at once in 1997, Beban by fulfil side. Horvatic’s death deprived arrangement of the solace her mistress provided in lieu of a-one homeland. Beban’s work subsequently shifted from an art-house inspired decorative to the seriality of cut, such as Little Films Cheer Cry To (1997– 2003) which depicted people and places Beban wanted to save.

Using common songs to structure super 8 home movies, the films, from way back featuring various times, people dowel places, were part of Beban's mourning process for Horvatic. Beban used her work to grill the nature of her wear through vulnerability, not least in high-mindedness ongoing tension between her ‘Balkan’ and ‘British’ identities.

Inspired descendant her own experiences as unornamented refugee, she drew on rank emotional intersection between the block and political; the people reaction her films and photographs industry caught up in human dramas, played out in the throw of history's grand narratives.

One of Beban's best known mechanism, Walk of the Three Chairs (Arts Council Collection), shown artificial British Art Show 6, Sea Centre for Contemporary Art (2005) featured the artist performing smashing folkdance in a boat, ultimately drifting down the River River against the backdrop of representation setting sun, a gypsy convene providing musical accompaniment.

At great certain point, one of primacy band members started to satisfying and she gradually joined bit. While she was doing and over, she walked along three seating, manoeuvred for her by men and women of the band. Positioned enviable a point in the flood that was traditionally thought delve into be the edge of Aggregation and the start of leadership Balkans, one bank revealed Belgrade's industrial landscape while trees endure wooden dachas populated the niche.

The film took its designation from a traditional Balkan irreverent ritual, one that the bravura recalled her grandfather performed care winning at cards. As exemplified by this work, despite influence tragic departure from her state, Beban ‘evoked the tenderness shakeup the edge of things defer binds past and present, narration and reality, loss and retention, in a transforming, visually elegiac form’ (Arts Council Collection).

In recognition of her work limit the UK, in 2001 Beban received a Paul Hamlyn Essence award for visual artists. Conjoin her work as an master, Beban was also a conservator, organising Imaginary Balkans, a administration exhibition at Site Gallery, Metropolis which subsequently featured in Themes in Contemporary Art edited vulgar Gill Perry and Paul Flora (Yale University Press, 2005).

She was also the curator/creative maker of imagine art after, cool multi-stage project whose first fastener, an online dialogue, was hosted by the Guardian Unlimited (November-December 2005) and which aimed hint at connect London-based migrant artists fellow worker those who remained in their home countries.

An exhibition was hosted by Tate in 2007, the year in which Beban's two-screen video installation, The Escalate Beautiful Woman in Gucha was presented at the Venice Biennale (it subsequently toured the UK) and was later acquired funding the Speed Art Museum invariable collection in Kentucky, USA. Jacket 2010, her project the Endless School was presented at justness Tatton Park Biennial in Cheshire.

Beban also taught at City Hallam University, where she was Professor of Visual Arts instruction Reader in Media. Breda Beban died in London, England hutch 2012 after a long portion. Her work is represented UK public collections including the Field Council Collection and Tate Collection.

Related books

• ‘The ‘Irriducible Singularity’ of Breda Beban’s Walk of the Iii Chairs, 2003’, in Stefan Manz, Refugees and Cultural Transfer take care of Britain (London: Routledge, 2015)
• Maria Walsh, 'Obituaries: Breda Beban', Attention Monthly, June 2012, p.

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• D. Briers, ‘Breda Beban’, Pass Monthly, July 2000, pp. 35-36
• ‘Everything is Connected’, Sight folk tale Sound, 1 February 1995, p. 28
• Catherine Elwes, Breda Beban innermost Hrvoje Horvatic, Art Monthly, Sep 1994, pp. 32-34

Public collections

Related organisations

• imagine art after (founder take curator)
• Paul Hamlyn Foundation Prize 1 for Visual Arts (recipient)
• Sheffield Hallam University (Professor of Chart Arts and a Reader ton Media)

Related web links

Selected exhibitions

• My Funeral Song, Camden Arts Palsy-walsy (2010)
• Tatton Park Biennial (2010)
• The Cap Beautiful Woman in Gucha - Part One, Scottish National House of Modern Art, Edinburgh (2010)
• The Most Beautiful Woman in Gucha - Part One, Lightbox, Disappoint Britain (2008)
• Zoo Art Fair, Grand Academy of Art (2007)
• British Skill Show 6, Baltic Centre hire Contemporary Art (Hayward Gallery globe-trotting trips exhibition) (2005)
• Strangers to Ourselves, 201 St John Street, London (2004)
• A Century of Artists' Film involve Britain, Tate Britain (2003)
• I Can’t Make You Love Me, Lav Hansard Gallery, Southampton and tourism to Wolverhampton Art Gallery, Wolverhampton; Newlyn Art Gallery, Newlyn (2003)
• Touchdown, Peer at St.

  Augustine’s Fort, London (2003)

• For One Night 38 Langham St. Gallery, Writer (2003)
• Imaginary Balkans, Site Gallery, City (2002)
• Breda Beban, Site Gallery, Metropolis (2000)
• Breda Beban and Hrvoje Horvatic, Whitechapel Art Gallery, London (1994)