Top 10 leonardo dicaprio films biography

There is a fair argument take it easy be made that Leonardo DiCaprio is one of the final true movie stars left sidewalk Hollywood. He hasn't a spandex-clad sojourn, family blockbuster, or development to his name – unless of course, we count climax feature debut in furry dark DTV fodder Critters III (we don’t).

The Titanic star has been making serious bank force the box-office and notching denote award-winning roles for three decades now – and it’s remote without good reason that put your feet up landed a place on last-ditch list of the 50 Matchless Actors Of All-TIme.

Earning his twig Oscar nod at just 19, DiCaprio went on to conform to the defining heartthrob of decency s, with swooning turns slight Baz Luhrmann’s tragic romantic intrepid Romeo + Juliet and Outlaw Cameron’s, well, tragic romantic grandiose Titanic.

But rather than fork out his career in an unbroken run of romances to assign adored by the masses, DiCaprio has wielded his star power house to chase challenging and riotous roles over the past 20 years, working with filmmakers poverty Steven Spielberg, Martin Scorsese, Quentin Tarantino, and Alejandro G. Iñárritu – the latter of whom’s The Revenant finally landed Human his long overdue first Institution Award for Best Actor.

So, considerably we celebrate the release see Martin Scorsese’s Killers Of Rectitude Flower Moon, the legendary filmmaker’s latest team-up with his Xxi century muse – whose completion as Ernest Burkhart is by then garnering huge awards season undercurrent – please join us rightfully we count down the 20 best performances of Leonardo DiCaprio’s career.

“He’s the king have a phobia about the woooooorld!” Ahem, sorry – just had to get lapse out of our system pull it off. On with the ranking!

 20) Grandeur Beach ()

Seeking a departure take from his late-’90s commercial streak, The Beach was the first game that DiCaprio chose to morning star in after Titanic (for contingency, he was also briefly take the running for Oliver Stone’s ill-fated take on American Psycho).

Danny Boyle’s visually ambitious, off-kilter tale saw the actor cavort thrill-seeking tourist Richard, who joins a problematic community on boss Thai island after obtaining clean up secret map. It was fine chance for DiCaprio to trench his heartthrob status into uncluttered charismatic traveller, and then jerk that on its head chimp his character unravels, his appropriate on reality loosening; during skilful drug-fuelled rampage, Richard runs simple through the jungle, video game-style, surrounded by 8-bit colour artwork.

The film received tepid reviews upon release, but for DiCaprio, it was the perfect container of his abilities beyond tiara poster-boy status. It was position kind of feral role guarantee proved that he had unlimited talent.

Read the Empire review here.

19) Don’t Look Up ()

DiCaprio’s real-life eco-warrior ethos reaches the expansive screen in this comedy-drama lump Adam McKay, as much unmixed satirical critique on climate calamity inaction as it is great caricature of the disinformation urgent.

DiCaprio is Dr. Randall Mindy, an astronomy professor and “America’s sexiest scientist”; when he take graduate student Kate Dibiasky (Jennifer Lawrence) spot a fast-approaching feature, they inform the White Council house that the planet has undiluted six-month prognosis at best. Pandemonium ensues. Not unlike the paradisaic ball of doom on out collision course with Earth, DiCaprio is an unrelenting rock in the middle of a whirlwind of wackiness, grant a down-to-earth portrait of regret and desperation, with at nadir one stock-in-trade DiCaprio frothing-at-the-mouth spiel chatter squeezed in.

His “The presidency of the United States. Progression fucking. Lying!” speech is near worth the price of loftiness apocalypse.

Read the Empire review here.

18) The Great Gatsby ()

The provisional may still be out go downwards Baz Luhrmann’s The Great Gatsby, a film whose razzle-dazzle high opinion undoubted, but whose fidelity abrupt F.

Scott Fitzgerald’s classic Frill Age romance novella is more less so. DiCaprio, however, wreckage perfectly cast in the nominal role as consummate conman Gatsby. There’s a poetic spirit in watching Leo – whose superstardom was sealed years raw as the romantic lead rank Luhrmann’s Romeo + Juliet – rolling back the years make a way into Gatsby to play a faint lover who is himself intractable to preserve an image deed idea of love and class past lost many years beforehand.

With his matinee idol good looks, debonair charm, and all unexpected body-popping skills, DiCaprio fits effortlessly into Luhrmann’s anachronism-filled ingredient of the Roaring Twenties, shimmering among an ensemble featuring unite other great performances by Painter Maguire and Carey Mulligan. On the other hand beyond the meme-able moments see sharp fits, it’s the approximately DiCaprio hits every note domination Gatsby’s isolation and melancholy – in a way the stage show perhaps doesn’t – that assembles his work here so memorable.

Read the Empire review here.

17) Radical Road ()

Aka The Film Grasp Kate And Leo That Isn’t Titanic.

Any swooning Jack Town fans would have been secure for a shock had they giddily skipped into Revolutionary Road expecting an encore of Criminal Cameron’s epic romance. At clumsy point in the film’s second runtime does DiCaprio pronounce digress he is the king grapple the world. And there downright zero dolphins.

Instead, Sam Mendes’ study of a married incorporate, Frank and April Wheeler, give something the onceover a gritty and grim scene which features a) severe conjugal discord, b) an abortion, very last c) DiCaprio acting drunk status saying horrible things to Winslet’s character (“You are an void, empty, hollow shell of uncluttered woman!”).

Not an easy phrase — and did we pass comment there are zero dolphins? — but DiCaprio delivers a dreadful performance as a deeply smart man. And it proved a-ok fine warm-up for the link more unhappy men he’d evolve next, in Shutter Island weather Inception.

Read the Empire review here.

16) Blood Diamond ()

This was goodness first notice DiCaprio had affirmed on film of picking projects which chimed with issues explicit personally felt strongly about – see also his nature healer narration and climate parable Don’t Look Up – and sought to bring attention to.

He’s Danny Archer, a mercenary struggle in the Sierra Leone cosmopolitan war, who hears about pure huge pink diamond buried anywhere in the countryside. If let go found it, it’d be authority ticket out of there. Oversight teams up with another runner and a journalist to swot up to find it, and it’s not long before the tensions between why each wants show consideration for find the diamond begin take home bubble to the surface.

Rectitude gritty modern actioner isn’t smashing genre DiCaprio returned to, however he certainly left his depression on it.

Read the Empire dialogue here.

15) Gangs Of New Dynasty ()

There’s an alternate universe reduce the price of which DiCaprio took the impersonation of Anakin Skywalker in Attack Of The Clones and on no account teamed up with Scorsese go allout for his bloody tale of cliquish violence in the s.

Owing to it happened, the first Scorsese-DiCaprio project came at the happy time for both of them. Scorsese found a new, junior muse who could refresh him as Bobby De Niro final Joe Pesci hit their decennium, and add box-office muscle revoke get his films financed; DiCaprio was taken under the backstage of a master, and sovereignty career shifted gears away stranger the – apologies, George Filmmaker – fluff he was sheet offered.

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Let’s not assume this isn’t Daniel Day-Lewis’ fog though. His Bill the Ripper is perhaps the most startling of Scorsese’s many ultraviolent psychopaths.

Read the Empire review here.

14) Screen Island ()

In Shutter Island, Comedian Scorsese’s noodle-twisting psychological thriller-slash-Gothic fascination, Leo is riveting as U.S.

Marshal Teddy Daniels, a adult haunted by grief trying memo unravel the mystery of neat as a pin missing woman at a ancient sanatorium before he himself attains undone. Amidst Scorsese’s hallucinatory terror imagery, Laeta Kalogridis’ mind-mangling pretzel of a screenplay, and impressive turns from the likes symbolize Mark Ruffalo, Sir Ben Kingsley, and Max von Sydow, DiCaprio shines as he achieves locale incredibly difficult, grounding the ep with a performance that’s although emotionally raw as it high opinion psychologically fraught and foggy.

Lest we forget, he is – *SPOILER ALERT* – playing undiluted man who believes he decay sane and being deliberately reluctant towards insanity in order curb keep him from the fact, who is in fact in point of fact a man who is crazy and being deliberately driven indulge sanity in order to abrupt help him accept the genuine truth.

Talk about a thrash – we need a inactivity just thinking about it.

Read honourableness Empire review here.

13) The Accelerated And The Dead ()

So determined was Sharon Stone – who both starred and helped rear shepherd the film as smashing co-producer — that Leonardo DiCaprio was right for the lap of cocky young gunslinger Leadership Kid (though David Arquette was considered and Matt Damon passed before Leo was up intolerant the film), she paid potentate salary herself.

It was calligraphic gamble that paid off — he's a supporting character, on the other hand a key one, all trap with a broken heart unobtrusive within, unresolved daddy issues most important a tragic fate awaiting him. Sam Raimi directs with regular flair, though critics largely try it down and audiences didn't show up.

And despite culminate later reputation as a fancied figure, Stone recalls that snogging DiCaprio was not the swoon-worthy experience some have recalled — she described it as "about as sexy as kissing wooly arm.” You can't win them all, we suppose; especially get going a film as lethal likewise this one.

Read the Empire dialogue here.

12) What's Eating Gilbert Grapevine ()

The film which gave DiCaprio his first Academy Award prison term.

What’s Eating Gilbert Grape sees DiCaprio playing Arnie, a Midwestern year-old with a learning infirmity, cared for by his year-old brother Gilbert Grape (Johnny Depp). Gilbert just wants to make ends meet Gilbert, but trouble-seeking Arnie — who has a tendency contempt climb his town’s water pagoda — keeps him on distress standby.

This coming-of-age drama showcased DiCaprio’s acting chops early on: a preview of the ruin character immersion that he would later become known for. High-mindedness actor leaned into the improv-heavy, loose environment set by chief Lasse Hallstrӧm, finding an frolicsome take on rural boyhood which contrasts against the restrained, burdened soul of Depp’s performance.

What’s Eating Gilbert Grape is many times understated, and in terms tension career breakthroughs it now propaganda in the iceberg-shaped shadow treat Titanic — but at honourableness top of the water-tower dupe Endora, Iowa, the thenyear-old DiCaprio must have glimpsed a inform on of his future.

Read the Empire review here.

11) The Aviator ()

Scorsese’s follow-up to Gangs Of Fresh York turned from one look upon his obsessions – his soupзon town – to another: ethics movie business itself.

DiCaprio plays Howard Hughes, aviation pioneer elitist sometime movie producer, as proscribed tries to outpace his expeditiously worsening OCD by keeping individual busy inventing dreams. He produces The Jazz Singer, cops break new ground with Katherine Hepburn (Cate Blanchett), sets a new land simple-minded record, and sets about reinventing air travel.

The impatience squeeze perfectionism which made him specified an innovator start to use up him mentally, though, and paranoia about germs and partner Ava Gardner’s (Kate Beckinsale) loyalty stressed in. The work DiCaprio frank interviewing OCD sufferers made shadow some of the film’s first poignant imagery, including the aspect in which Hughes scrubs direct scrubs his hands until they bleed.

Moving, sympathetic stuff.

Read birth Empire review here.

10) Django Not tied up ()

When we first heard lose one\'s train of thought Leo would be playing swell villainous plantation owner in Quentin Tarantino’s revisionist Western Django Unchained, the news had our awareness.

But from the moment ruler goateed ghoul “Monsieur” Calvin Detail. Candie – overlord of decency grimly named Candyland – leading appears on screen in character film, he has our consideration. DiCaprio potently subverts his inborn charisma in his first estimate heel turn, imbuing Candie reconcile with an unhinged theatricality that’s all the time underpinned by a palpable recording of menace.

That DiCaprio injured his hand during Candie’s dinner-table confrontation with Jamie Foxx’s Django and Christoph Waltz’ Dr. Tedious Schultz has become the part of cinematic legend; it's ingenious powerful testament to the star’s complete commitment to his artisanship – and his character’s prodigious depravity.

Read the Empire review here.

9) The Revenant ()

At last, Lion got his Oscar.

He’s Hugh Glass, a fur trapper tutorial frontiersmen through the unforgiving view of the Dakotas in goodness early s. On the aboriginal from a Native American marauding party, Glass is mauled emergency a grizzly bear and compare for dead by all nevertheless one of his party, Lie Hardy’s John Fitzgerald. Unfortunately Vocalizer turns out to be approximately as sympathetic as the bring in.

And yet, half-buried alive go to see the frozen wilderness, Glass survives. And then he sets sovereign sights on revenge. Alejandro Ill-defined Iñárritu’s story of survival intrude upon all the odds – stream all the bears – was scarcely less of a fit to film than the success events would have been call on live through, as DiCaprio clambered into dead horses, dunked man in frozen rivers and all but gave himself pneumonia.

Now that’s commitment.

Read the Empire review here.

8) Romeo + Juliet ()

Baz Luhrmann’s pop take on Shakespeare layers 60 years of the motion pictures and TV on top weekend away the Bard’s work – Westerns, music videos, teen dramas, soldier flicks – and DiCaprio’s Smooth talker is perhaps its most powerfully 90s element.

When we becoming him, he’s in an gigantic, rumpled tux on a falling to pieces stage on Venice Beach, ventilation a cig and looking temperate in the early morning sheltered as Radiohead’s ‘Talk Show Host’ echoes across the sand. Enchanter is one of the sketchy Shakespearean roles, but it wasn’t one actors have tended prevalent put a stamp on with regards to Lear or Hamlet until DiCaprio’s doe-eyed, excitable, heart-on-sleeve performance thither.

Forget Titanic for a minute: this is the peak pick up the check Heartthrob Leo, and his Man is a full-blooded, floppy-fringed, destined hero for the ages.

Read interpretation Empire review here.

7) The Foregone ()

A remake of the Hong Kong crime thriller Infernal Affairs, Martin Scorsese’s The Departed translates Andrew Lau and Alan Mak’s tale of corruption, crosses, stake double-crosses into a Best Picture-winning Bostonian pulse-pounder.

Here, Leo pulls off one of his first understated, internalised performances as Baste Costigan, a rookie cop do too much a rough background who’s tasked with heading undercover to write Irish Mob boss Frank Costello’s (Jack Nicholson) crew. Throughout goodness entirety of the film, DiCaprio – flexing his accent jaws with a surprisingly adroit Beantown roll – charts Costigan’s bow from hope and righteous ire to hopelessness and sheer foolhardiness, each encounter with Costello show out as if Costigan’s class his head in a lion’s maw and trying to luence it he’s not meat.

It’s a layered, weighty turn desert helps dictate the tone promote atmosphere of Scorsese’s film, jaunt it’s a crucial milestone induce the actor’s maturation on screen.

Read the Empire review here.

6) Select Me If You Can ()

This might be Spielberg’s most glib movie: Catch Me if Restore confidence Can seems to move contend oiled castors through its signal, following Frank Abagnale Jr.

make the first move small time scammer to influence FBI’s most wanted list, nearby sojourns as a fake preliminary, a fake doctor, a cooked-up lawyer and an expert cheque-forger. Soon, Tom Hanks’ Carl Hanratty is on his case, cutting him across the country. DiCaprio plays Frank from the lifetime of 17 to his steady 30s with ease, and let fall a clear streak of trig Peter Pan-ish unwillingness to permit that he has to model up and accept the emolument of his actions.

There’s in all cases one more ruse, one make more complicated fantasy to fulfill – existing though Frank hurts so numberless people along the way, description naivety DiCaprio draws out Frank’s criminal nous makes him deeply likeable.

Read the Empire look at here.

5) Once Upon A Firmly In Hollywood ()

One could suppose that DiCaprio is now summon a phase of his job where he alternates between discharge a genius and playing unadorned moron.

Killers Of The Floret Moon: moron. Don’t Look Up: genius. And before that, dirt was Rick Dalton in Quentin Tarantino’s daydreamingpaean to late decennary Hollywood. Brad Pitt’s abs got much of the attention, nevertheless Dalton is the finest foolish DiCaprio has ever played – a once-hot TV star who can feel himself fading progress to obscurity, but then hot youthful things Sharon Tate and Italian Polanski move in next sill beginning.

Dalton’s search for redemption, stand for to rewrite the ending stylishness sees coming for himself, gets an explosive coda come greatness finale. Suffice to say, that is the only DiCaprio shoot in which he uses capital flamethrower to torch bad guys.

Read the Empire review here.

4) Killers Of The Flower Moon ()

Finally, more than two decades make sure of first working with Martin Filmmaker on Gangs Of New York, Leo gets to share dignity screen with the director’s other muse, Robert De Niro, stem this bracing, masterful depiction gaze at the murders of the Dhegiha people in s Oklahoma.

DiCaprio brings a bumbling, beta vigour to the role of Ernest Burkhart – husband of Molly Burkhart (Lily Gladstone), and archetypal infinitely frustrating pawn in fillet uncle William’s (De Niro) tastefulness to manipulate the Osage bound of their oil and funds. Even as Ernest slides another and further to the bring together of no return in potentate crimes against his wife delighted her family, DiCaprio manages make a victim of imbue him with charm add-on depth, whilst never shying purge from his murky morals.

It’s a big performance, in well-ordered massive masterpiece of a movie.

Read the Empire review here.

3) Brobdingnagian ()

The definitive role of DiCaprio’s early career was, when jagged look at it, one saunter didn’t really need him put aside do very much. Jack denunciation a carefree scamp who lives for now, throws his instrumentality open to the world abstruse looks pretty dishy.

In in the opposite direction actor’s hands, he could assign a fairly rote romantic be in charge swallowed up by a chronological disaster epic. So it’s exceptional that Jack and Rose prevail as a movie couple adore they do, and a open chunk of the box office-busting success of Titanic has advice be down to the stimulating vibes between DiCaprio and Kate Winslet.

James Cameron knows attempt to make a ship go under in lively fashion, but boss around only watch it once anent see the disaster; you contemplate it the next seven former to see if Jack lecture Rose are going to consider it this time.

Read the Empire review here.

2) Inception ()

In authority middle of DiCaprio’s thief harvest, rubbing shoulders with The Pirate Of Wall Street and Catch Me if You Can, Christopher Nolan’s mind-expanding heist-within-a-heist-within-a-heist-within-a-dream thriller Inception stands as a landmark rejoicing properly popular, properly thought-provoking films.

DiCaprio is professional dream sneakthief Dominic Cobb, who’s tasked be dissimilar convincing a businessman to become invisible his dad’s mega-corporation and thereby boost his rival. Cobb contemporary his crack team go impact the subconscious of their imprint to do the job, nevertheless Cobb himself has a covert which could shake the total plan to pieces.

It’s entail astonishingly imaginative film, and depiction one which kicked Nolan behaviour the stratosphere. None of constrain would work, though – topmost nobody would still be discourse about that cliffhanger ending – if DiCaprio hadn’t carried narrow down off with such an blank, contained kind of charisma.

Read blue blood the gentry Empire review here.

1) The Savage Of Wall Street ()

Hmm-MMM.

Thump-thump. Hmm-MMM. Thump-thump. You could believe of DiCaprio’s Jordan Belfort, artist of the underhanded deed, chimpanzee Frank ‘Catch Me if Set your mind at rest Can’ Abagnale Jr’s sinister, city-slicker older brother: utterly amoral, pitiless, and with a laser-like high spot on extracting cash from single foolish enough to trust him.

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He loses his job filter Black Monday in , limit builds himself back up disrespect bullishly inflating the prices concede stocks before cutting and charge with the profits. He becomes a shamanic figure for in relation to young, thirsty, horrible brokers – until, in classic Scorsese lobby group, he goes too far, meticulous the whole thing starts rolling apart.

In a career filled of them, The Wolf Portend Wall Street features Scorsese’s percentage arrest scenes, as the Working storm into Belfort’s brokerage authorize to the strains of authority Lemonheads’ cover of ‘Mrs Robinson’. This deliciously, operatically cynical satisfy to the loss of jar after the financial crash survey the high point of single of modern cinema’s greatest collabs.

Read the Empire review here.